Since the first episodes of the TV show “Game of Thrones” everyone has probably heard about George R.R. Martin’s literary masterpiece “A Song of Ice and Fire”, which the show is based upon. This fantasy saga takes place in a ficticious and medieval world where surely none of us would like to spend their next vacation. A major part of the plot unfolds itself on a continent called Westeros, which is similar to Great Britain at the time of the Wars of the Roses (1455 to 1485), but which is also much larger, more complex and … more uncomfortable. There are a lot of chivalrous noble houses who are all more or less trying to make their own favourites sit on the throne of Westeros. This throne is an iron seat, forged of hundreds of swords from defeated enemies – and many of the past rulers have already cut themselves on its blades while trying to rule.
Each chapter of the novel is told from the perspective of one of the main characters – and there are many. Unlike in Tolkien’s works there are no evil Orcs or benign Elves. Instead, the characters are being described utterly realistically and are moved by understandable human conflicts.

Making the map took about 40 days of work. I transfered the map from the books with the help of a grid onto the large paper format with a pencil. With the help of internet research I also looked up more details and places that appear in the books but can’t be found on the maps in the novels. There is a huge fan community who have their own wikipedia pages where you can get tons of information.
There are a lot of ornamental tidbits on the map, like ships or a compass rose. I played a few artist’s tricks here: I looked for reference images online and, using Photoshop, I scaled those elements to the needed size, mirrored and printed them. Then I traced the contours of the prints with a soft pencil onto parchment paper. After that, I turned the parchment around, placed it on the correct spot on the map and re-traced it again with a pointed pen. By doing it like that, particles from the soft pencil trace are transferred from the parchment onto the final map. As the trace had been inverted, the final objects had the correct orientation.

After the first pencil drawing was done, I again traced everything with a very thin Mikron-Fineliner (0,05 mm) and filled bigger black areas (especially the ornaments on the left and right) with a Faber Castell PITT Artist Pen. Then I erased all of the pencil drawing.
Of course, my goal was to have a colorized map. I used different media for achieving that. The sea and the larger green areas were done with colored graphite powder that was rubbed onto the paper with a paper wiper. Mountains, beaches and shadows were colored with pastel crayons. For the trees and smaller opaque areas I used PITT pens again and also (a new discovery) POSCA-Markers (which were used mostly for the white waves and rivers).
Believe it or not, but because the coloring process almost obliterated the fineliner traces, I had to redraw all the black lines on the map again for a third time.
I can imagine that every true fan of art and Westeros would like to have a poster like that on their living-room wall now.